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The wrestler grabs the opponent's arms and wraps their legs on the outside of them, so the wrestler's feet meet at the back of the neck of the opponent and exert a downward pressure, akin to applying a full nelson but by using the legs.
Also known as an "Octopus stretch", the wrestler stands behind the opponent and hooks a leg over the opponent's opposite leg. The wrestler then forces the opponent to one side, traps one of the opponent's arms with their own arm, and drapes their free leg over the neck of the opponent, forcing it downward.
This elevates the wrestler and places all the weight of the wrestler on the opponent. The wrestler has one arm free, which can be used for balance.
It was invented by Antonio Inoki. Katsuyori Shibata used this move as his finisher. The opponent is face down on the mat, with the attacker bending both of their legs up and tucking their ankles against their armpits.
The attacker then reaches down and grabs both of the opponent's arms before sitting down, "rocking" back and forth and stretching the opponent's back.
Also known as a " Romero special ". The surfboard hold first sees a wrestler stand behind a fallen opponent, who is lying stomach down on the floor.
The wrestler places one foot down just above each of the opponent's knees and bends their legs up, hooking them around their own knees; at this point the wrestler grasps both of their opponent's wrists usually slapping the opponent's back in an attempt to bring the arms in reach , and falls backwards while compressing the opponent's shoulder blades and lifting them off the ground.
This can see the wrestler fall to a seated position or go onto their back, lifting the opponent skyward, which will increase pressure on the opponent but put the wrestler in risk of pinning their own shoulders to the mat.
This version of a surfboard sees a standing or kneeling wrestler take hold of both of a kneeling or seated opponent's wrists and cross their arms over, applying pressure to both the opponent's arms and shoulders.
Sometimes the wrestler may place their foot or knee on the opponent's upper back in order to exert even more pressure. Another version of a surfboard, which is known as a "seated surfboard stretch" but referred to as a "modified surfboard stretch".
Most often applied by a standing wrestler against a prone opponent, but may also be applied by a seated wrestler or against a seated or kneeling opponent, sees the wrestler grasp both of their opponent's wrists while placing their foot or knee on the opponent's upper back, pulling back on the arms to compress the opponent's shoulder blades.
In this toe hold maneuver, a wrestler will grab the opponent's foot and lift their leg off the ground.
With one hand the wrestler will grab either the toes or the outside of the foot, then with the other wrap the ankle to create a "hole" for the joint.
A grapevine variation sees the wrestler applying the ankle lock hold and then falling to the mat and scissoring the leg of the opponent. This stops the opponent from rolling out of the move and makes it harder for them to crawl to the ropes, but lessens the pressure that can be applied.
The move can be executed from a kneeling position or a standing position, depending on the wrestler's preference. Ken Shamrock was the first to popularize the use of this move in professional wrestling, doing his from a kneeling position.
Years later, Kurt Angle adopted the ankle lock as his finisher, but would often do it from a standing position. Also popularly known as a "Texas cloverleaf", the wrestler stands at the feet of the supine opponent, grabs the opponent's legs, and lifts them up.
The wrestler then bends one leg so that the shin is behind the knee of the straight leg and places the ankle of the straight leg in their armpit.
With the same arm, they reach around the ankle and through the opening formed by the legs, and lock their hands together. The wrestler then steps over his opponent, turning the opponent over as in a sharpshooter and Boston crab and proceeds to squat and lean back.
The hold compresses the legs, flexes the spine, and stretches the abdomen. The move was invented by Dory Funk, Jr. Guerrero referred to the move as the Lasso from El Paso , making reference to his hometown.
An armlock variation of the cloverleaf that is similar to a single leg Boston crab with armlock. This hold begins with an opponent lying face up on the mat.
The attacking wrestler then seizes one of their arms and proceeds to walk over the opponent while continuing to hold the arm, forcing the opponent to turn over onto their stomach.
The wrestler then kneels down on the opponent's back, locking the opponent's arm behind their knee in the process. The wrestler then reaches over and bends one leg so that the shin is behind the knee of the straight leg and places the ankle of the straight leg in their armpit.
With the same arm, the wrestler reaches around the ankle and through the opening formed by the legs, and locks their hands together as in a cloverleaf.
The wrestler then pulls back so as to stretch the legs, back, and neck of the opponent while keeping the arm trapped. In this variation of a cloverleaf instead of turning around when turning the opponent over, the wrestler faces the same direction as the opponent to squat and lean forward to apply more pressure to the legs, spine, and abdomen.
Also known as the Gorilla Clutch, a body scissors version exists as well. Rhea Ripley uses a standing version called the Prism Trap.
This variation of the cloverleaf sees the wrestler, after crossing one of the opponent's legs over the other in a figure four shape, lock the over leg behind their near knee before placing the straight leg under their armpit and turning over.
The wrestler proceeds to lean back, pulling on the leg under the armpit. This keeps the over leg, now under, locked while putting pressure on the leg and stretching the legs and back.
Perkins , who calls it the Figure Four Deathlock. Invented by Chris Hero , this variation of the cloverleaf sees the wrestler hook the legs like a cloverleaf , but ten weaves their hands through to clasp their other hand and also hooks the ankle sticking out with one leg left or right into their kneepit.
Also called a straight legbar or kneebar, it is performed similarly to an armbar by holding the opponent's leg in between the legs and arms so the opponent's kneecap points towards the body.
The wrestler pushes the hips forward, the opponent's leg is straightened, and further leveraging hyper-extends the opponent's knee.
Commonly used as a counter to an attack from behind. The wrestler flips forward down on to their back, placing their legs around one of the legs of the opponent on the way down, and thus using their momentum to drop the opponent forward down to the mat.
The move can be also applied by running towards the opponent and then performing the flip when next to them. The wrestler forces the opponent to the ground and opens up the opponent's legs, stepping in with both legs.
The wrestler then wraps their legs around the head of the opponent and crosses the opponent's legs, applying pressure on them with their hands.
The wrestler next turns degrees and leans back. This hold applies pressure on the opponent's temples and calves, and compresses the spine.
The wrestler stands over the opponent who is lying on the mat face up and grasps a leg of the opponent.
The wrestler then does a spinning toe hold and grasps the other leg, crossing them into a 4 hence the name , and falls to the mat, applying pressure to the opponent's crossed legs with their own.
While the hold applies pressure to the knee, it actually can be very painful to the shin of the victim. While the move is primarily a submission move, if the opponent has their shoulders on the mat, the referee can make a three count for a pinfall.
If the referee is distracted, heel wrestlers may grab onto the ropes while executing the move to gain leverage and inflict more pain. A modified variation exists more recently used by Shawn Michaels where the wrestler takes one of the opponent's legs, turns 90 degrees, then grabs the opponent's other leg and crosses it with the other, puts one foot in between and the other on the other leg, and then bridges over.
With enough strength and willpower, the wrestler on defense can flip over onto their belly and also their opponent , which is said to reverse the pressure to the one who initially had the hold locked in.
This counter to the figure-four is often called a "modified Indian deathlock " or sometimes referred to as a " sharpshooter variant". Charlotte Flair uses a bridging variation of the move referred to as a Figure Eight.
For a figure eight, the wrestler will then push up into a bridge. On the Steve Austin Show Unleashed Podcast, George Scott was credited by Ric Flair as the person who came up with the idea that to reverse the figure-four leglock, the opponent would simply turn over onto their stomach.
This modified inverted reverse figure-four leglock variation sees the wrestler cross one leg of an opponent over them and stand on the crossed leg, then take hold of the free leg and lay down on their back, raising the opponent's legs up into the air and causing pain to their legs and lower back.
The name is derived from Charlie and Russ , the Haas Brothers , who invented this move. This move is the finisher of Charlie Haas.
The opponent is down on their back with the wrestler standing over one of their legs. The wrestler applies a spinning toehold, crosses the opponent's legs and kneels on them.
This version is a variant which sees the opponent face up with the wrestler grabbing the opponent's legs, putting their own leg through, and twisting them as if doing a sharpshooter , but instead putting their other leg on the opponent's nearest foot, dropping down to the mat and applying pressure.
Shawn Michaels popularized this move during his wrestling career. Sometimes called a "flying figure-four", the opponent is either downed or standing next to one of the ring corner posts.
The wrestler exits the ring to the outside and drags the opponent by the legs towards the ring post, so that the post is between the opponent's legs similar to when somebody 'crotches' their opponent with the ringpost.
The executor then stands next to the ring apron, on the outside of the turnbuckle or ropes and applies the figure four leglock with the ring post between the opponent's legs.
The performer of the hold then falls back while grabbing the opponent's legs or feet, hanging upside down from the ring apron. The ring post assists the move, creating more damage and leverage to the opponent's knee.
The move was invented by Bret Hart and was used by Gail Kim. The opponent is down on their back with the wrestler standing over one of their legs with one foot placed on either side of the leg.
The wrestler plants their foot in the knee of the opponent's other leg and then bends that leg at the knee over the top of the first leg, forming the figure four.
The wrestler then bridges back. The wrestler lifts up a leg of a face-up opponent and wraps one of their legs around the other leg before dropping to a kneeling position, thus locking the opponent's leg behind the wrestler's knee.
The wrestler then reaches over and grabs the opponent's far leg and places it on top of the trapped foot of the opponent.
The wrestler then performs a forward roll while maintaining the hold. This forces the opponent onto their chest while the wrestler ends in a sitting position facing the same direction as their opponent.
From here the wrestler can reach forward and perform many upper body submissions as well. A standing version can also be applied, which sees a standing wrestler place one of their legs between the legs of a face-down opponent and then bend one leg behind the leg of the wrestler, placing it on top of the knee pit of the opponent's other leg.
The wrestler then picks up the straight leg of the opponent, bends it backwards to lock the other leg in the knee pit and places the foot in front of the shin of the standing leg in the knee pit, thus locking the leg.
With the opponent on their back, the wrestler, standing beside them, sits with their leg over and between the opponent's legs often using a legdrop to the knee.
The wrestler then places the opponent's far leg in the knee-pit of the near leg, finishing the submission by putting the opponent's ankle on top of their own ankle, rolling both onto their bellies, and pushing back with the wrestler's knees.
It is used by Cody as the American Nightmare. Also and originally known as a "scorpion hold". This move is usually executed on a wrestler lying flat on their back.
The wrestler executing the move will step between the opponent's legs, grab both of them, and twist them into a knot around their leg.
Holding the opponent's legs in place, the wrestler then steps over the opponent and turns them over, applying pressure the whole way to cause pain to the knee and legs.
While applying the pressure to the legs, the wrestler executing the move has a variety of positions they can be in; however, the two most common involve the wrestler standing and leaning back while applying the move or sitting on their opponent's back.
The move was invented by Riki Choshu but was made famous in the United States by Bret "Hitman" Hart , who gave it the name Sharpshooter to suit his stage name.
The move was also popularized in the States by Sting , who called the hold the Scorpion Death Lock and applied the hold from a seated position.
The Rock also used this move as his signature submission move by the name Sharpshooter. The only difference between Sting's "Scorpion Death Lock" and the current "Sharpshooter" is which leg the pressure is on, as Sting's targets the right leg and the "Sharpshooter" targets the left leg.
Evil uses a variation called Darkness Scorpion , where the move is preceded by a stomp into the groin area. For this variation, the wrestler steps between the opponent's legs with one of their own and crosses the opponent's legs so that their near leg's ankle is in the far leg's knee pit.
The wrestler then does not mount the opponent, but instead remains to the side of the opponent and pushes to cause pain. The wrestler using this move stands over the opponent who is lying face up on the mat, and grasps a leg of the opponent.
The wrestler then turns degrees over the leg, twisting it inward. A wrestler can repeatedly step over the leg and around again to twist the knee and ankle joints even more.
The anaconda vise is a compression choke. The wrestler wraps their arms around the head and one arm of the opponent and squeezes, choking the opponent.
It is considered legal in professional wrestling, although it is a chokehold. This submission hold was invented by Hiroyoshi Tenzan. Also known as an arm-trap triangle choke.
The vise is done from a position in which the wrestler and the opponent are seated on the mat facing each other. The wrestler sits on one side of the opponent, encircles the opponent in a headlock position using their near arm, and grabs the opponent's near wrist, bending the arm upwards.
Then, the wrestler maneuvers their other arm through the "hole" created by the opponent's bent wrist, locks their hand upon their own wrist, and pulls the opponent forward, causing pressure on the opponent's arm and neck.
There are also variations of the anaconda vise that are combined with a straight jacket choke , called Anaconda Max and a cobra clutch , called Anaconda Cross.
These variations are also invented by Tenzan himself. Also called an arm triangle, this choke sees the wrestler wrapping their arm from under the opponent's nearest arm pit and across the chest.
The maneuver can be used as an uncommon submission maneuver, such as used by Braun Strowman , or a transitioning hold, usually to fall backwards into an arm triangle reverse STO.
Austin Aries uses a bridging variation called Last Chancery as one of his finishing moves. The wrestler pushes their standing or seated opponent into the turnbuckle and extends their leg, choking their opponent while using the top two ropes for support.
This attack is illegal and results in a wrestler's disqualification, should the move not be broken by a count of five.
For some flexible wrestlers, a variation of this move can be performed while standing in the performance of a standing split. Another variant performed by Dana Brooke is done in a handstand position while she chokes the opponent with one foot.
This neck lock sees a wrestler sit above a fallen opponent and wrap their legs around the opponent in the form of the figure-four , with one leg crossing under the opponent's chin and under the wrestler's other leg the wrestler squeezes and chokes the opponent.
In an illegal version of the hold, best described as a hanging figure-four necklock, the wrestler stands on top of the turnbuckle, wraps their legs around the head of the opponent who has their back turned against the turnbuckle in the figure-four and falls backwards, choking the opponent.
In most matches the hold would have to be released before a five count. WWE wrestler Carmella uses an inverted variant of this hold as her finisher where she uses her shin to choke the opponent instead, making it resemble a gogoplata.
This variant is called the Code of Silence. Usually executed from a " rubber guard ," where the legs are held very high, against the opponent's upper back.
The wrestler then slips one foot in front of the opponent's head and under their chin, locks their hands behind the opponent's head, and chokes the opponent by pressing their shin or instep against the opponent's trachea.
Wrestlers use a modified version, where they only push the shin into the throat in exactly the same manner instead of grabbing their toes and pulling towards themselves.
The Undertaker used this as his submission finisher, calling it Hell's Gate. The attacking wrestler tucks the opponent's head underneath their armpit and wraps one arm around the neck so that the forearm is pressed against the throat, as in a front chancery.
The attacking wrestler then wraps their legs around the opponent's midsection with a body scissors and arches backwards, pulling the opponent's head forward, stretching the torso and the neck.
It can be performed from standing, sitting, or prone positions. Roman Reigns uses this move. Also known as a cobra choke or a kata ha jime a term borrowed from judo , this hold sees the wrestler put the opponent in a half nelson with one arm and grab the opponent's neck the other, sometimes while adding body scissors.
This move was popularized by Taz , who used it as a finishing move, calling it the Tazmission or Tazzmission. The opponent lies face down on the mat.
The wrestler lies face up and slightly to the side of the opponent. The wrestler hooks their far leg across the neck of the opponent, then hooks their hands behind the opponent's head, having one arm pass over their own leg and the other under.
The wrestler then pulls backwards with their arms and pushes forward with their leg, causing pressure. The name comes from its inventor's name, Koji Kanemoto.
Another variation sees the attacker performing a reverse STO, then locking the regular Koji clutch in, but crossing their legs in a modified figure-four headscissors.
With the opponent hung over the second rope, facing the outside of the ring, the attacking wrestler hooks their left or right leg over the back of the opponent's neck.
The attacking wrestler then pulls the second rope upwards, compressing the opponent's throat between the rope and attacking wrestler's leg, choking them.
This move is illegal due to usage of the ring ropes, and results in a disqualification for the wrestler should they not release the hold before a count of five.
In this variation of the triangle choke , the wrestler sits behind a seated opponent. The wrestler places one of their legs under the chin of the opponent and pushes up.
The wrestler then takes hold of their ankle with their opposite arm and pulls their leg up. The wrestler then places their free leg on the instep of the leg which is already being used to choke the opponent.
The wrestler finally takes their free arm, hooks the opponent's arm which is in the vise, and holds their opposite leg from the knee.
The pressure is applied once the wrestler compresses their knees together. The pentagram choke creates a complete vise around the opponent's neck, and its name comes from using five sides, whereas the triangle choke only uses three.
The wrestler grabs their opponent's throat with one hand and squeezes tightly. A "goozle" is a single arm choke held briefly before performing a chokeslam.
Innovated by Ed Lewis , the wrestler begins positioned behind their opponent. The wrestler then wraps their arm around the opponent's neck, pressing the biceps against one side of the neck and the inner bone of the forearm against the other side.
The neck is squeezed inside the arm very tightly. Additional pressure can be applied by grabbing the left shoulder with the right hand, or grabbing the biceps of the left arm near the elbow , then using the left hand to push the opponent's head towards the crook of the right elbow.
Also known as a "buffalo sleeper", this choke sees the wrestler kneeling behind a seated opponent before grabbing hold of one of the opponent's arms, bending it backwards overhead, and locking the opponent's wrist into the attacker's armpit.
The wrestler then wraps their free arm under the opponent's chin as in a sleeper hold, puts their other arm through the arch created by the opponent's trapped arm, and locks their hands.
The wrestler then squeezes the opponent's neck, causing pressure. The move was invented by Hiroyoshi Tenzan. Also known as an "arm-trap half nelson sleeper", the wrestler stands behind the opponent and uses one arm to place the opponent in a half nelson.
The wrestler then uses their free arm to pull the opponent's arm the same arm to which the wrestler is applying the half nelson across the face of the opponent.
The wrestler then locks their hand to their wrist behind the opponent's neck to make the opponent submit or lose consciousness as the carotid artery is cut off.
This submission was used as a "finishing" maneuver by a number of wrestlers over the years, including Sgt. Kazuchika Okada uses this finishing move as Money Clip.
With the opponent lying face down, the wrestler sits beside the opponent, facing the same way, locks on the cobra clutch, and then arches their legs and back, bending the opponent's torso and neck upwards.
Used by Delirious. The attacking wrestler stands behind the opponent who is either sitting or lying face down, then pulls the opponent into an inverted facelock , often hooking the opponent's near arm with their free arm.
The attacker then pulls backwards and up, wrenching the opponent's neck and spine. If the opponent is sitting, the wrestler can press their knee into the opponent's back, adding pressure.
Low Ki once used a version from a back-mount position called the Dragon Clutch. Sanada used this hold while applying with bodyscissors as the Skull End.
Drew Gulak uses a kneeling variation of the submission. The wrestler wraps their arm around the opponents neck performing a sleeper hold, then climbs to the second rope and hangs the opponent by the neck.
A grounded version of a sleeper hold with an added body scissors that is derived from martial arts and more recently mixed martial arts.
It is also used by Karrion Kross as the Kross Jacket. Also known as a "Japanese stranglehold" goku-raku gatame , "criss-cross stranglehold", "cut-throat", and "cross-armed choke".
The wrestler sits on the back of an opponent who is lying face down on the mat. Dubai Prince climbs world's tallest building Royal Train tour: Duke and Duchess of Cambridge visit school Queen joins Royal Family to thank volunteers at Windsor Castle Vaughan Gething says Duke and Duchess' visit to Wales is 'unnecessary' Sex attacker casually jogs up behind victim before launching assault.
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Last night I witnessed one of the worst acts on the internet and that which a human being can do. I was hoping that this would be all that the internet would ever shame us with, but I was wrong.
A friend showed me the video of two girls one octopus with the pretense of it being hilarious, and as you can imagine beastiality is no joke.
It scars my mind as I write, as all taboos and boundaries we had even between us and sea life have now been broken. The internet has helped spread the joy of comedy through youtube, and at the same time shamed itself.